07 · Modernist

Expressionism

c. 1910–1930

Sculptural brick and concrete buildings with curved or faceted masses, rounded corners, and tall prow-shaped or stepped tops.

Einstein Tower, Potsdam, Germany: an example of Expressionism architecture
Einstein Tower, Potsdam, Germany. Photo: A.Savin, FAL

what it is

Expressionist architecture, built mainly in Germany and the Netherlands between about 1910 and 1930, uses brick and reinforced concrete in sculptural, crystalline or curved forms. Its designers distorted and fragmented building masses and drew on Gothic and Romanesque precedent rather than classical models. The Einstein Tower in Potsdam (Erich Mendelsohn, 1919-1921) has sculptural, curved walls. Chilehaus in Hamburg (Fritz Höger, 1921-1924) is a ten-story building faced in 4.8 million dark bricks, with a top shaped like a ship's prow.

Rudolf Steiner's second Goetheanum in Dornach, Switzerland (1924-1928) is built wholly of cast concrete. Max Berg's Centennial Hall in Wrocław (1911-1913) has a reinforced concrete dome 69 meters across, and Grundtvig's Church in Copenhagen has a 49-meter tower of yellow brick. Art Deco (about 1925-1940) is known for stepped outlines on towers and applied geometric ornament such as zigzags. Expressionist buildings get their effect from the shaped mass of brick or concrete itself.

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history

Expressionist architecture developed in Europe from about 1910 and was strongest in Germany, with variants in the Netherlands, Austria, the Czech lands and Denmark. Early works include Max Berg's Centennial Hall in Wrocław (1911-1913) and Rudolf Steiner's first Goetheanum in Dornach, Switzerland, begun in 1913 in timber and concrete. In 1914 Bruno Taut built a Glass Pavilion in Cologne. He and Paul Scheerbart promoted glass architecture.

Most large projects came after World War I: the Einstein Tower (1919-1921), Chilehaus (1921-1924) and the second Goetheanum (1924-1928), built after a fire destroyed the first on the night of 31 December 1922. By 1925 most leading Expressionist architects had moved toward Neue Sachlichkeit (New Objectivity), a more practical approach, and the Amsterdam School in the Netherlands ended around 1930. Expressionist forms returned in later work such as Le Corbusier's Notre-Dame du Haut (1950-1955).

where to find it

Germany, the Netherlands and Denmark: the Einstein Tower in Potsdam, Chilehaus in Hamburg, Grundtvig's Church in Copenhagen, plus the Goetheanum in Dornach, Switzerland.

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