what it is
Beaux-Arts is the classical style taught at the École des Beaux-Arts in Paris and used mostly for large public buildings between about 1880 and 1930. Buildings are symmetrical and faced in stone, with a rusticated ground floor (stone blocks cut with deep joints or rough faces), paired columns rising through the upper stories, and arched windows. Sculpture stands on the roofline and over the entrances. Plans are arranged along a main axis around a grand staircase, and many buildings have iron or steel frames behind the stone.
Charles Garnier's Palais Garnier opera house in Paris (1861-1875) is the best-known French example. In New York, Carrère and Hastings's New York Public Library (opened 1911) is faced in white Vermont marble, and Grand Central Terminal (1903-1913) was designed by Reed and Stem with Warren and Wetmore. Arthur Brown Jr.'s San Francisco City Hall (opened 1915) has a dome taller than that of the U.S. Capitol. Neoclassical buildings use plainer walls; Beaux-Arts buildings combine Roman, Renaissance and Baroque features with more sculpture.
how to spot one
history
The École des Beaux-Arts in Paris taught this method of design, based on symmetrical plans and Renaissance and Baroque models, from the 1830s to the end of the 19th century, and its teaching continued without major change until 1968. Richard Morris Hunt, who attended from 1846, was the first American architect to study there; Henry Hobson Richardson followed in 1860, and many more Americans trained in Paris over the next decades. Garnier's opera house, commissioned by Napoleon III as part of Baron Haussmann's rebuilding of Paris, opened in 1875.
Beaux-Arts design shaped American architecture from 1880 to 1920. The white classical buildings of the 1893 World's Columbian Exposition in Chicago, directed by Daniel Burnham, launched the City Beautiful movement, which planned civic centers, boulevards and parks, as in the 1902 McMillan Plan for Washington and Burnham's 1909 Plan of Chicago. McKim, Mead and White built the Boston Public Library (1895) and New York's Pennsylvania Station (1910). Modernism replaced the style from the 1930s. The demolition of Pennsylvania Station in 1963-1966 led New York City to pass a landmarks law in 1965, which later protected Grand Central Terminal.
where to find it
The Palais Garnier opera house in Paris, Grand Central Terminal and the New York Public Library in New York, and San Francisco City Hall.
architects
easy to confuse with